Enjoy this peek inside the writing and recording space of award-winning newspaper columnist, critic, songwriter, blogger at blood, dirt & angles, and author of The President Next Door: Poems, Songs and Journalism, Philip Martin. Philip's book was a feature of the 2016 Arkansas Literary Festival, and collects poems and song lyrics, many of which were inspired by his journalistic work.

It wouldn't be a stretch to say Philip's creative thinking space also extends to the outdoor environs of Little Rock's Hillcrest and Heights neighborhoods. One can't drive around these neighborhoods for long without seeing Philip and his wife, Karen, faithfully walking furry rescue dogs, rain or shine. In the image above, their dog Paris serves as Philip's muse as he strums.

About his space, Philip shares:

"Last year we bought a new house — a much smaller house than the mid-century Hillcrest modern we’d lived in for 19 years. And so we began to divest ourselves of books and CDs and other material things. The Swedes call it “döstädning” — death cleaning.

But as deals will, ours fell apart and we found ourselves decluttered and back in our old house. With fewer things, there was more room and so we moved my office/studio from the dim book-lined spare bedroom it had occupied to a larger space in our sunroom. Now I have windows and natural light and sometimes a dog or two at my feet. And nine guitars (you can take döstädning only so far).

Laptops and wi-fi mean I’ve no real need of a dedicated office space anymore; I can type anywhere in the house. But I work here mostly, in what amounts to a compact but fairly well equipped recording studio. This is where I write, and when I’m not writing, make up songs and record them. (And finally, after 40 years of playing, sometimes professionally, practice the first guitar lessons I’ve ever taken.) This is also where I do our taxes and drink coffee in the morning.

I was excited about moving last year — my father was in the military and we moved every few months during my childhood — but I’m happy things worked out as they did. In general, our house is very open — loft-like. Now I have my space and yet still feel part of the fray."

To celebrate Philip's new-ish “döstäd"-ned creative space, take 10% off his book through Friday 3/30/18 (with complimentary local delivery or free shipping) with code PRES10.

Philip and Karen Martin's pups enjoy the St. Pat's Parade. Dublin, left, has recently had a surgery to remove her eye due to glaucoma, but the Martin's fur kids are slowing for no one.

Dennis Vannatta is a recipient of The Porter Prize, presented annually to an Arkansas writer who has accomplished a substantial and impressive body of work that merits enhanced recognition. He has published stories in many magazines and anthologies, including Chariton Review, Boulevard, Antioch Review, and Pushcart XV. In 2016, Et Alia published The Only World You Get: Arkansas Stories, which features twelve new and previously published stories, all set in Arkansas.

Dennis lives and writes in Little Rock, where he is retired from three decades in the English Department at The University of Arkansas at Little Rock.

Where do you write? Basically, I can write anywhere: sitting in the car on a parking lot, in a spare bedroom in my in-laws’ house, in a fast-food restaurant, wherever. Most of the revision, though, happens in my office before the computer. I don’t necessarily feel more creative one place rather than another.

Are there any books on your shelves that are particular inspirations for your own work? Early in my writing days, yes, of course (Hemingway, Faulkner, the usual suspects), but now, no.

You have so many student fans from your years of teaching . . . are there particular texts or authors that you really enjoyed teaching? Or were perennial student favorites? So many. Hemingway, Faulkner, Borges, Garcia Marquez, Kafka, on and on. I’ll leave it to the students to comment on how much they enjoyed them.

Do you generally write first drafts on those yellow legal pads before typing up? Or what part of your process involves yellow pads? I always hand-write first drafts, generally on yellow legal pads, but whatever blank paper is at hand works for me.

Are those the “Rascals, Andrew and William” to whom your book is dedicated in the background/on your screen saver? You know the answer to that. Of course.

What was it like to win the Porter Prize? Nice. What else can I say?

Other recipients of the Porter Prize include three women who will be featured in Et Alia's forthcoming book, Women Makers of Arkansas: Padma Viswanathan (fiction, 2017), Sandy Longhorn (poetry, 2016), and Jo McDougall (poetry, 2000), as well as well-known names like Kevin Brockmeier (fiction, 2003) and Shirley Abbott (non-fiction, 2005), among many others who have made tremendous contributions to our state's literary landscape.

Vannatta will read this Saturday, January 27, with John Vanderslice as part of the Argenta Reading Series at Argenta United Methodist Church. Order his book on Et Alia's website through Friday 1/26 with code "BOGO" to buy one, get one free.

“At 10:51 in the morning (I looked at my watch so that I’d always remember the time), our mother stopped breathing. Those of us around her bedside—me, my sister Janice (everyone called her Ruby because of her red hair), our little brother Bobby, and our Cousin Harlan Lee—stopped breathing, too. Then Bobby opened his mouth to let out that wail we all knew would come to herald our mother’s death because even at fifty-five he’d never been able to stop himself—crybaby, crybaby—but it wasn’t Bobby who broke the silence. It was our mother. She opened one eye and said in a voice that was stronger, clearer than it had been in days, “Had you going there for a minute, didn’t I?”

— Dennis Vannatta, "A Sky-Blue Caddilac"